In addition to examining the cinematographic framing of a body on the scale of the Eurasian continent, TERRESTRE questions the notion of territory as an expanse of land bounded by borders, to which a group of men forbid their fellow men access.

How did we humans come to consider that the globe is no longer a land on which we can move freely, but a space where political stakes push countries to fight for a “piece of land”?

TERRESTRE is a quadrifrontal installation project featuring 4 screens measuring 2.5 m by 1.4 m. The installation is oriented according to the 4 cardinal points: North, South, East, West, and determines the direction of movement of spectators invited to follow a walker tirelessly circling the Earth.

The representation of the globe here is not spherical, but cubic. Each angle creates a sensation of emptiness, interrupting the fluidity of movement in which the walker seems to be caught.

This truncated globe is made up of 4 planes, whose ground and body create unity. He encourages us to turn around this new representation, the sides of which reflect the notion of territorial fragmentation.

TERRESTRE portrays a vision of the world attached to the modest, vulnerable earth, which greed and the race for development are wiping out.

TERRESTRE